Sophia Robot : Post Human Being
Thomas Riccio
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Working with Children in Contemporary Performance : Ethics, Agency and Affect
Sarah (Victorian College of the Arts, Australia) Austin
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The 'Female' Dancer : a soma-scientific approach
Claire Farmer
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Into Abolitionist Theatre : A Guidebook for Liberatory Theatre-making
Rivka Eckert
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Cultural Leadership in Practice : Beyond Arts Management and Cultural Policy
Steven Hadley
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Geographies of Us : Ecosomatic Essays and Practice Pages
Sondra Fraleigh
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Higher Education and the Carceral State : Transforming Together
Annie (San Diego State University) Buckley
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Writing Choreography : Textualities of and beyond Dance
Leena Rouhiainen
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The Intimacy Coordinator's Guidebook : Specialties for Stage and Screen
Brooke M. Haney
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To Repair the World : Zelda Fichandler and the Transformation of American Theater
Mary B. Robinson
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Living the Dream : Building a Sustainable Career in the Performing Arts
Kirstin Chavez
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DreamWork: A Training for Directors
David (Tel Aviv University, Israel) Zinder
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Aeschylus' Oresteia : Translation and Theatrical Commentary
Michael Ewans
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Imagining Bodies and Performer Training : The legacies of Jacques Lecoq and Gaston Bachelard
Ellie Nixon
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Staging Revolutions and the Many Faces of Modernism : Performing Politics in Irish and Egyptian Theatre
Amina ElHalawani
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The Art of Entertainment : Popular Performance in Modern British Art, 1880 to 1940
Jason Price
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Analysis through Action for Actors and Directors : From Stanislavsky to Contemporary Performance
David Chambers
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The Cambridge Companion to British Theatre since 1945
Jen (Queen Mary University of London) Harvie
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Negotiating Copyright in the American Theatre: 1856–1951
Brent S. Salter
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Criticism, Performance, and the Passions in the Eighteenth Century : The Art of Transition
James (University of Newcastle upon Tyne) Harriman-Smith
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Italian Opera in Global and Transnational Perspective : Reimagining Italianita in the Long Nineteenth Century
Axel (University College London) Korner
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Liyuanxi - Chinese 'Pear Garden Theatre'
Josh (University of Sydney, Australia) Stenberg
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Greek Tragedy and the Digital
George (University of Leeds, UK) Rodosthenous
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Theater in a Post-Truth World : Texts, Politics, and Performance
William C. (Rollins College, USA) Boles
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