Dance Production : Design and Technology
Jeromy (Eastern Michigan University, USA) Hopgood
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Painting for Performance : A Beginner’s Guide to Great Painted Scenery
Sean O'Skea
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Acting for Singers : Creating Believable Singing Characters
David F. (, Bay Area Summer Opera Theater Institute) Ostwald
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Designing with Light : An Introduction to Stage Lighting
J. Michael Gillette
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The Performance Arts in Africa : A Reader
Frances Harding
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(Syn)aesthetics : Redefining Visceral Performance
J. Machon
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Spatial Practices : Modes of Action and Engagement with the City
Melanie (Central Saint Martins, University of the Arts London, U Dodd
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The Gestures of Participatory Art
Sruti Bala
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Stage Rights! : The Actresses’ Franchise League, Activism and Politics 1908–58
Naomi Paxton
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Peter Brook: Oxford to Orghast
R. Helfer
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The Arden Research Handbook of Shakespeare and Contemporary Performance
Dr Peter (Mary Baldwin University, USA) Kirwan
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The Performance of Religion : Seeing the sacred in the theatre
Cia Sautter
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Management and the Arts
William J. Byrnes
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Marketing Strategy for the Creative and Cultural Industries
Bonita (Lycoming College, USA) Kolb
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The Routledge Companion to African American Theatre and Performance
Kathy Perkins
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Managing the Arts and Culture : Cultivating a Practice
Constance DeVereaux
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Stage Management
Lawrence Stern
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Arts and Cultural Leadership : Creating Sustainable Arts Organizations
Kenneth (University of Southern California, USA) Foster
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Gender and Dance in Modern Iran : Biopolitics on stage
Ida (The Pennsylvania State University) Meftahi
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Theatre and the Macabre
Jr., Kevin J. Wetmore
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Street Theatre and the Production of Postindustrial Space : Working Memories
David Calder
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Antony and Cleopatra
Carol Chillington Rutter
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Postdigital Performances of Care : Technology & Pandemic
Liam (University of Essex, UK) Jarvis
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Chekhov’s Sakhalin Journey : Doctor, Humanitarian, Writer
Jonathan (Bournemouth University, UK) Cole
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