Contemporary Drift : Genre, Historicism, and the Problem of the Present
Theodore Martin
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Cinematic Vitalism : Film Theory and the Question of Life
Inga Pollmann
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The Ambivalent Legacy of Elia Kazan : The Politics of the Post-HUAC Films
Ron Briley
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Dreamlands : Immersive Cinema and Art, 1905-2016
Chrissie Iles
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Cinematic Overtures : How to Read Opening Scenes
Annette Insdorf
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Deconstruction, Feminism, Film
Sarah Dillon
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Kubrick's 2001 : A Triple Allegory
Leonard F. Wheat
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Scorsese Up Close : A Study of the Films
Ben Nyce
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Hollywood Highbrow : From Entertainment to Art
Shyon Baumann
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Lasting Impressions : The Legacies of Impressionism in Contemporary Culture
Jesse Matz
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Foucault at the Movies
Patrice Maniglier
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Before the Movies : American Magic Lantern Entertainment and the Nation's First Great Screen Artist, Joseph Boggs Beale
Terry Borton
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People Like Ourselves : Portrayals of Mental Illness in the Movies
Jacqueline Noll Zimmerman
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Making Movies with Orson Welles : A Memoir
Gary Graver
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Aesthetic Violence and Women in Film : Kill Bill with Flying Daggers
Joseph (Iowa State University, USA) Kupfer
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100 Essential Silent Film Comedies
James Roots
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Pasolini : The Sacred Flesh
Stefania Benini
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Landscapes in Between : Environmental Change in Modern Italian Literature and Film
Monica Seger
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When Stories Travel : Cross-Cultural Encounters between Fiction and Film
Cristina (University of California at San Diego) Della Coletta
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Empire Films and the Crisis of Colonialism, 1946-1959
Jon (Associate Professor of History, Rutgers - The State Unive Cowans
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Title Sequences as Paratexts : Narrative Anticipation and Recapitulation
Michael (Savannah College of Art and Design, USA) Betancourt
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Confessional Cinema : Religion, Film, and Modernity in Spain's Development Years, 1960-1975
Jorge Perez
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Men Out of Focus : The Soviet Masculinity Crisis in the Long Sixties
Marko Dumancic
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Pleasing Everyone : Mass Entertainment in Renaissance London and Golden-Age Hollywood
Jeffrey (Eggers Professor of English, Eggers Professor of Engli Knapp
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