Audiences : Defining and Researching Screen Entertainment Reception
Ian Christie
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The Tenth Muse : Writing about Cinema in the Modernist Period
Laura (University of Edinburgh) Marcus
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Phallic Panic
Barbara Creed
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Reelpolitik II : Political Ideologies in '50s and '60s Films
Beverly Merrill, Ph.D. Kelley
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Representations of Femininity in American Genre Cinema : The Woman's Film, Film Noir, and Modern Horror
David Greven
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(Re)imagining African Independence : Film, Visual Arts and the Fall of the Portuguese Empire
Maria do Carmo Picarra
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The Horror Film
Peter Hutchings
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Reorienting Ozu : A Master and His Influence
Jinhee (Senior Lecturer in Film Studies, Senior Lecturer in Film Choi
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Queer Looks
Martha Gever
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Atomic Bomb Cinema : The Apocalyptic Imagination on Film
Jerome F. Shapiro
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Yale French Studies, Number 141 : Claude Lanzmann after Shoah
Michael G. Levine
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Information Subject
Mark Poster
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The Legacies of Jean-Luc Godard
Douglas Morrey
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China on Film : A Century of Exploration, Confrontation, and Controversy
Paul G. Pickowicz
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Media Disparity : A Gender Battleground
Cory L. Armstrong
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Dada, Surrealism, and the Cinematic Effect
R. Bruce Elder
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The Last Isle : Contemporary Film, Culture and Trauma in Global Taiwan
Sheng-Mei Ma
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Frank Confessions : Performance in the Life-Writings of Frank McCourt
Margaret Eaton
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The Cinema of Poetry
P. Adams (Professor of Visual Arts in the Lewis Center for the Sitney
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Seeing Fictions in Film : The Epistemology of Movies
George M. (University of Southern California) Wilson
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The Desiring-Image : Gilles Deleuze and Contemporary Queer Cinema
Nick (Assistant Professor of English, Assistant Professor of En Davis
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The Reality of Illusion : Ecological Approach to Cognitive Film Theory
Joseph D. Anderson
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The Biology of Horror : Gothic Literature and Film
Jack Morgan
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The Word Made Flesh : Catholicism and Conflict in the Films of Martin Scorsese
Michael Bliss
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