Pink-Slipped : What Happened to Women in the Silent Film Industries?
Jane M Gaines
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Theorizing World Cinema
Professor Lucia Nagib
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Red, White & Black : Cinema and the Structure of U.S. Antagonisms
Frank B. Wilderson
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Writing About Movies
Karen (University of California, San Diego) Gocsik
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Seeing Politics : Film, Visual Method, and International Relations
Sophie Harman
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The Cinema of Hong Kong : History, Arts, Identity
Poshek (University of Illinois, Urbana-Champaign) Fu
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Cinematic Style : Fashion, Architecture and Interior Design on Film
Professor Jess (Monash University, Australia) Berry
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Believing in Film : Christianity and Classic European Cinema
Mark (University College London, UK) Le Fanu
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A New History of Documentary Film
Betsy A. (Independent Scholar, USA) McLane
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Italian Horror Cinema
Hunter Baschiera
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Discorrelated Images
Shane Denson
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The Film Music of John Williams : Reviving Hollywood's Classical Style
Emilio Audissino
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Before Sunrise, Before Sunset, Before Midnight : A Philosophical Exploration
Hans Maes
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A View from the Bottom : Asian American Masculinity and Sexual Representation
Tan Hoang Nguyen
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Muslims in the Movies : A Global Anthology
Kristian Petersen
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Reuse, Misuse, Abuse : The Ethics of Audiovisual Appropriation in the Digital Era
Jaimie Baron
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Smartphone Filmmaking : Theory and Practice
Dr. Max (Senior Lecturer, Swinburne University of Technology Schleser
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European Cinema and Continental Philosophy : Film As Thought Experiment
Thomas (University of Amsterdam, the Netherlands) Elsaesser
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Deleuze and Baudrillard : From Cyberpunk to Biopunk
Sean McQueen
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Killers, Clients and Kindred Spirits : The Taboo Cinema of Shohei Imamura
Lindsay Coleman
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Sine ni Lav Diaz : A Long Take on the Filipino Auteur
Parichay Patra
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The French New Wave : Critical Landmarks
Peter (Film-maker, critic and food writer, France) Graham
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Film Curatorship - Archives, Museums, and the Digital Marketplace
Alexander Horwath
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Filmed Thought : Cinema as Reflective Form
Robert B Pippin
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