Contemporary Drift : Genre, Historicism, and the Problem of the Present
Theodore Martin
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Add to BasketThe Ambivalent Legacy of Elia Kazan : The Politics of the Post-HUAC Films
Ron Briley
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Inga Pollmann
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Add to BasketAngenieux and Cinema : From Light to Image
Silvana Editoriale
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Chrissie Iles
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Add to BasketCinematic Overtures : How to Read Opening Scenes
Annette Insdorf
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Donald Dewey
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Add to BasketNightmare Alley : Film Noir and the American Dream
Mark (Loyola University Maryland) Osteen
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Shyon Baumann
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John Sbardellati
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Add to BasketKubrick's 2001 : A Triple Allegory
Leonard F. Wheat
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Add to BasketScorsese Up Close : A Study of the Films
Ben Nyce
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Add to BasketDeconstruction, Feminism, Film
Sarah Dillon
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Add to BasketThe National Imaginarium : A History of Egyptian Filmmaking
Magdy Mounir El-Shammaa
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Dan (Freelance Writer, Freelance Writer) Callahan
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Add to BasketAgainst the Avant-Garde : Pier Paolo Pasolini, Contemporary Art, and Neocapitalism
Ara H Merjian
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Add to BasketLasting Impressions : The Legacies of Impressionism in Contemporary Culture
Jesse Matz
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Add to BasketFoucault at the Movies
Patrice Maniglier
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Add to BasketAesthetic Violence and Women in Film : Kill Bill with Flying Daggers
Joseph (Iowa State University, USA) Kupfer
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Add to Basket100 Essential Silent Film Comedies
James Roots
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Add to BasketWhen Stories Travel : Cross-Cultural Encounters between Fiction and Film
Cristina (University of California at San Diego) Della Coletta
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Add to BasketTitle Sequences as Paratexts : Narrative Anticipation and Recapitulation
Michael (Savannah College of Art and Design, USA) Betancourt
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Add to BasketBefore the Movies : American Magic Lantern Entertainment and the Nation's First Great Screen Artist, Joseph Boggs Beale
Terry Borton
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Add to BasketPowers of the Real : Cinema, Gender, and Emotion in Interwar Japan
Diane Wei Lewis
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