The Cambridge Companion to Opera Studies
Nicholas (University of Sussex) Till
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Opera
Robert Cannon
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Vocal Victories : Wagner's Female Characters from Senta to Kundry
Nila, Ph.D. Parly
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French Opera : A Short History
Vincent Giroud
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Wagner and the Wonder of Art : An Introduction to Die Meistersinger
M. Owen Lee
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Dido and Aeneas : An Opera
Henry Purcell
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Richard Wagner and His World
Thomas S. Grey
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W. A. Mozart: Die Zauberflote
Peter Branscombe
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The Cambridge Companion to Eighteenth-Century Opera
Anthony R. (Georgetown University, Washington DC) DelDonna
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4 Saints in 3 Acts : A Snapshot of the American Avant-Garde in the 1930s
Patricia Allmer
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Painting the Stage : Artists as Stage Designers
Denise Wendel-Poray
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Understanding Italian Opera
Tim (David G. Frey Distinguished Professor of Music, David G. Carter
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Il Trovatore : Study Score from the Critical Edition
Giuseppe Verdi
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Operatic Geographies : The Place of Opera and the Opera House
Suzanne Aspden
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Richard Wagner : A Life in Music
Martin Geck
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Middlebrow Modernism : Britten’s Operas and the Great Divide
Christopher Chowrimootoo
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The Arts of the Prima Donna in the Long Nineteenth Century
Rachel (Professor in the School of Music, Cardiff University, Cowgill
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Deviant Opera : Sex, Power, and Perversion on Stage
Axel Englund
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The Cambridge Companion to Schoenberg
Jennifer (University of New England, Australia) Shaw
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The Cambridge Companion to Richard Strauss
Charles (Pennsylvania State University) Youmans
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Verdi, Opera, Women
Susan (University of Manchester) Rutherford
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Modernism and Opera
Richard (University of Wisconsin - Madison) Begam
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Opera in the Jazz Age : Cultural Politics in 1920s Britain
Alexandra (Professor of Music and Cultural History, Professor Wilson
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Blackness in Opera
Naomi Andre
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