Interpreting Mozart : The Performance of His Piano Pieces and Other Compositions
Eva Badura-Skoda
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Beethoven
Anne Pimlott Baker
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Classical Form : A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
William E. (Associate Professor of Music, Associate Professor Caplin
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Giovanni Battista Rubini and the Bel Canto Tenors : History and Technique
Dan H. Marek
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The Birth of the Orchestra : History of an Institution 1650 - 1815
John (Professor and Chair of Music History, Professor and Cha Spitzer
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The Mozart-Da Ponte Operas : The Cultural and Musical Background to Le Nozze di Figaro, Don Giovanni, and Cosi fan tutte
Andrew (Reader in Psychology, Reader in Psychology, Universit Steptoe
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Music at German Courts, 1715-1760 : Changing Artistic Priorities
Samantha Owens
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The Great Haydn Quartets : Their Interpretation
Hans Keller
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Authenticity and Early Music : A Symposium
Nicholas (Editor of ^IEarly Music^R, music critic of ^IThe Obs Kenyon
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Classical and Romantic Performing Practice 1750-1900
Clive (Professor of Applied Musicology, Professor of Applied Mu Brown
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Schubert's Late Music : History, Theory, Style
Lorraine (National University of Ireland, Maynooth) Byrne Bodley
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Handel on the Stage
David (University of Edinburgh) Kimbell
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The Birth of the Orchestra : History of an Institution, 1650-1815
John (, Johns Hopkins University) Spitzer
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A Companion to Mozart's Piano Concertos
Arthur (late Professor of MusicUniversities of Durham and E Hutchings
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The Guitar and Its Music : From the Renaissance to the Classical Era
James (, Professor of Music and Director of Early Music Perform Tyler
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Elements of Sonata Theory : Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata
James (Professor of Music, Professor of Music, Yale Univers Hepokoski
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International Who's Who in Classical Music 2009
Europa Publications
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The German Symphony between Beethoven and Brahms : The Fall and Rise of a Genre
Christopher Fifield
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The Classical Era : Volume 5: From the 1740s to the end of the 18th Century
Professor Neal Zaslaw
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Mozart and Enlightenment Semiotics
Stephen Rumph
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Mozart's Requiem : Reception, Work, Completion
Simon P. (University of Sheffield) Keefe
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The Cambridge History of Nineteenth-Century Music
Jim (Royal Holloway, University of London) Samson
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Engaging Bach : The Keyboard Legacy from Marpurg to Mendelssohn
Matthew (University of Houston) Dirst
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The Cambridge Mozart Encyclopedia
Cliff (King's College London) Eisen
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