The Mozart-Da Ponte Operas : The Cultural and Musical Background to Le Nozze di Figaro, Don Giovanni, and Cosi fan tutte
Andrew (Reader in Psychology, Reader in Psychology, Universit Steptoe
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Add to BasketMusic at German Courts, 1715-1760 : Changing Artistic Priorities
Samantha Owens
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Add to BasketThe Great Haydn Quartets : Their Interpretation
Hans Keller
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Add to BasketAuthenticity and Early Music : A Symposium
Nicholas (Editor of ^IEarly Music^R, music critic of ^IThe Obs Kenyon
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Add to BasketClassical and Romantic Performing Practice 1750-1900
Clive (Professor of Applied Musicology, Professor of Applied Mu Brown
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Add to BasketSchubert's Late Music : History, Theory, Style
Lorraine (National University of Ireland, Maynooth) Byrne Bodley
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Add to BasketHandel on the Stage
David (University of Edinburgh) Kimbell
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Add to BasketThe Birth of the Orchestra : History of an Institution, 1650-1815
John (, Johns Hopkins University) Spitzer
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Add to BasketA Companion to Mozart's Piano Concertos
Arthur (late Professor of MusicUniversities of Durham and E Hutchings
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James (, Professor of Music and Director of Early Music Perform Tyler
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Add to BasketThe German Symphony between Beethoven and Brahms : The Fall and Rise of a Genre
Christopher Fifield
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Add to BasketInternational Who's Who in Classical Music 2009
Europa Publications
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Add to BasketOur Schubert : His Enduring Legacy
David Schroeder
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Paul Rapoport
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Add to BasketMozart's Piano Concertos
John Irving
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Add to BasketUnderstanding Mozart's Piano Sonatas
John Irving
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Add to BasketThe Classical Era : Volume 5: From the 1740s to the end of the 18th Century
Professor Neal Zaslaw
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Add to BasketBach's Works for Solo Violin : Style, Structure, Performance
Joel (Dean, Dean, Mannes College of Music) Lester
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Add to BasketAnalysis of 18th- and 19th-Century Musical Works in the Classical Tradition
David (University of Toronto, Canada) Beach
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Add to BasketInterpreting Mozart : The Performance of His Piano Pieces and Other Compositions
Eva Badura-Skoda
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Add to BasketNineteenth-Century Choral Music
Donna M. Di Grazia
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Add to BasketMozart's Requiem : Reception, Work, Completion
Simon P. (University of Sheffield) Keefe
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Add to BasketThe Cambridge History of Nineteenth-Century Music
Jim (Royal Holloway, University of London) Samson
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Add to BasketEngaging Bach : The Keyboard Legacy from Marpurg to Mendelssohn
Matthew (University of Houston) Dirst
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