Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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The Media of Secular Music in the Medieval and Early Modern Period (1100–1650)
Vincenzo Borghetti
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Orchestra Management : Models and Repertoires for the Symphony Orchestra
Arne Herman
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Beyond Exoticism : Western Music and the World
Timothy D. Taylor
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Bob Dylan on Film : The Intersection of Music and Visuals
Jonathan Hodgers
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The Lied at the Crossroads of Performance and Musicology
Benjamin (Duquesne University, Pittsburgh) Binder
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Handbuch Musikanalyse : Pluralitat und Methode
Ariane Jeßulat
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Autobiographical Recollections of Charles-Marie Widor
John R (Royalty Account) Near
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Narrative and Robert Schumann’s Songs : A New Approach to the Romantic Lied
Dr. Andrew H. (Contributor) Weaver
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The Musical Relationship between Claude Debussy and Igor Stravinsky
Professor Mark McFarland
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Music Glocalization and the Composer : The Case of Franz Xaver Scharwenka (1850-1924)
Mikolaj Rykowski
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The Nurse in History and Opera: From Servant to Sister
Judith Barger
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The Choice of Odysseus : Homeric Ethics in Renaissance Epic and Opera
Dr Sarah (Indiana University) Van der Laan
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The Oxford Handbook of the Phenomenology of Music Cultures
Harris M. (Canada Research Chair in Ethnomusicology and Direct Berger
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The Oxford Handbook of the Global Stage Musical
Robert (Professor of Theatre, Professor of Theatre, Goldsmiths Gordon
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Music, the Market, and the Marvellous : Parisian Feerie, 1864-1900
Tommaso (Marie Sklodowska-Curie Global Postdoctoral Fellow, Sabbatini
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Song in the Novel
Jennifer (Associate Professor in French and Comparative Lit Rushworth
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Bach's Art of Fugue and Musical Offering
Matthew (Professor of Music, Professor of Music, University of Dirst
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Shostakovich's Symphony No. 5
Marina (Professor of Music History, Professor of Music Frolova-Walker
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Classical and Romantic Performing Practice
Clive (Emeritus Professor of Applied Musicology, Emeritus Profe Brown
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Classical and Romantic Performing Practice
Clive (Emeritus Professor of Applied Musicology, Emeritus Profe Brown
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The Oxford Handbook of Community Singing
Esther M. (Associate Professor of Music History, Associa Morgan-Ellis
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Paul Robeson's Voices
Grant (Music Historian and Lecturer, Music Historian and Lectu Olwage
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Voice, Slavery, and Race in Seventeenth-Century Florence
Emily (Associate Professor of Musicology, Associate Profess Wilbourne
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