Rusalka : A Performance Guide with Translations and Pronunciation
Timothy Cheek
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Rounding Wagner's Mountain : Richard Strauss and Modern German Opera
Bryan (Duke University, North Carolina) Gilliam
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Opera and Drama in Eighteenth-Century London : The King's Theatre, Garrick and the Business of Performance
Ian (Queen's University Belfast) Woodfield
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The Cambridge Mozart Encyclopedia
Cliff (King's College London) Eisen
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Harrison Birtwistle's Operas and Music Theatre
David (Cardiff University) Beard
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Music and the Exotic from the Renaissance to Mozart
Ralph P. Locke
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Gustav Mahler's Symphonic Landscapes
Thomas (Boston University) Peattie
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Dance and Drama in French Baroque Opera : A History
Rebecca (Cornell University, New York) Harris-Warrick
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The Cambridge Stravinsky Encyclopedia
Edward (University of Aberdeen) Campbell
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Richard Strauss in Context
Morten Kristiansen
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Creating Der Rosenkavalier : From Chevalier to Cavalier
Michael Reynolds
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Opera North : Historical and Dramaturgical Perspectives on Opera Studies
Kara McKechnie
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Mozart's Cosi fan tutte : A Compositional History
Ian Woodfield
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After Wagner : Histories of Modernist Music Drama from Parsifal to Nono
Mark Berry
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Georges Bizet's Carmen
Nelly (Director of the Office of Programs and the Association Furman
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Opera After the Zero Hour : The Problem of Tradition and the Possibility of Renewal in Postwar West Germany
Emily Richmond (Associate Professor, Music and Theater Arts S Pollock
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Opera as Hypermedium : Meaning-Making, Immediacy, and the Politics of Perception
Tereza (Assistant Professor in Musicology, Assistant Profes Havelkova
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The Oxford Handbook of the Operatic Canon
Cormac (Head of Research, Head of Research, Guildhall School o Newark
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The Singer's Guide to German Diction
Valentin (Associate Professor & Coordinator of Graduate Voic Lanzrein
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Henry Purcell's Dido and Aeneas
Ellen (Class of 1949 Professor Emeritus, Class of 1949 Profess Harris
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Gioachino Rossini's The Barber of Seville
Hilary (Professor of Music, Professor of Music, Northeastern U Poriss
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A Sociable Moment : Opera and Festive Culture in Baroque Siena
Colleen (, Claire Trevor School of the Arts, University of Ca Reardon
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Singing in Signs : New Semiotic Explorations of Opera
Gregory J. (Associate Professor of Music Theory and Compositio Decker
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The Politics of Princely Entertainment : Music and Spectacle in the Lives of Lorenzo Onofrio and Maria Mancini Colonna
Valeria (Lecturer in Music, Lecturer in Music, University of De Lucca
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