Onstage with Grieg : Interpreting His Piano Music
Einar Steen-Nokleberg
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A Performer's Guide to Renaissance Music, Second Edition
Jeffery Kite-Powell
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Music Education in the Middle Ages and the Renaissance
Susan Forscher Weiss
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Dialogue on Ancient and Modern Music
Vincenzo Galilei
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Five Operas and a Symphony : Word and Music in Russian Culture
Boris Gasparov
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Shostakovich's Preludes and Fugues : Contexts, Style, Performance
Mark Mazullo
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The Metropolitan Opera : Stories of the Great Operas
John W. Freeman
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Music in the Present Tense : Rossini's Italian Operas in Their Time
Emanuele Senici
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Women Writing Opera : Creativity and Controversy in the Age of the French Revolution
Jacqueline Letzter
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Monteverdi's Last Operas: A Venetian Trilogy
Ellen Rosand
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Listening as Spiritual Practice in Early Modern Italy
Andrew Dell'Antonio
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Reclaiming Late-Romantic Music : Singing Devils and Distant Sounds
Peter Franklin
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Arnold Schoenberg's A Survivor from Warsaw in Postwar Europe
Joy H. Calico
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Wagner, Schumann, and the Lessons of Beethoven's Ninth
Christopher Alan Reynolds
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Dreaming with Open Eyes : Opera, Aesthetics, and Perception in Arcadian Rome
Ayana O. Smith
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Zoltan Kodaly’s World of Music
Anna Dalos
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The Lyric Myth of Voice : Civilizing Song in Enlightenment Italy
Jessica Gabriel Peritz
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Absolute Music : The History of an Idea
Mark Evan (Cary C. Boshamer Distinguished Professor, Cary C. Bo Bonds
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The Pathetick Musician : Moving an Audience in the Age of Eloquence
Bruce (Former Associate Professor of Music, Former Associate P Haynes
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Ravel the Decadent : Memory, Sublimation, and Desire
Michael J. (Associate Professor, Associate Professor, University Puri
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Audacious Euphony : Chromatic Harmony and the Triad's Second Nature
Richard (Battell Professor of Music Theory, Battell Professor of Cohn
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Charles Munch
D. Kern (Distinguished Professor of Music, Distinguished Prof Holoman
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Experiencing Tchaikovsky : A Listener's Companion
David Schroeder
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Experiencing Leonard Bernstein : A Listener's Companion
Kenneth LaFave
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