French Vocal Literature : Repertoire in Context
Georgine Resick
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Bach and Tuning
Johnny Reinhard
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Dubbing, Film and Performance : Uncanny Encounters
Charlotte Bosseaux
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Opera in Seventeenth-Century Venice : The Creation of a Genre
Ellen Rosand
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The Free Fantasia and the Musical Picturesque
Annette (Cornell University, New York) Richards
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Shostakovich Studies
David (University of Manchester) Fanning
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Bruckner's Symphonies : Analysis, Reception and Cultural Politics
Julian (University College Dublin) Horton
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Music in the Seventeenth Century
Lorenzo Bianconi
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The Critical Nexus : Tone-System, Mode, and Notation in Early Medieval Music
Charles M. (University Distinguished Professor of Musicology Atkinson
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Henry Purcell's Dido and Aeneas
Ellen T. (Chairman of the Music Department and Professor of Mu Harris
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Music in Late Medieval Bruges
Reinhard (Professor of Music History, Professor of Music Histo Strohm
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Early English Viols: Instruments, Makers and Music
Michael Fleming
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Anthology for Music in the Baroque
Wendy (Princeton University) Heller
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Music in the Renaissance
Richard (Haverford College) Freedman
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Franz Liszt : A Research and Information Guide
Michael Saffle
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Conversing with Cage
Richard Kostelanetz
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Nineteenth-Century Piano Music
R. Larry (Duke University, Durham, North Carolina, USA Duke Univ Todd
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L`italiano con l`opera : Lingua, cultura e conversazione
Daniela Noe
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Puccini : His International Art
Michele Girardi
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The Piano Trio : Its History, Technique, and Repertoire
The late Basil (Former Emeritus Professor of Music, Former E Smallman
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Tippett on Music
Sir Michael Tippett
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The Creative Development of Johann Sebastian Bach, Volume I: 1695-1717 : Music to Delight the Spirit
Richard D. P. (Music writer and Editor) Jones
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The Creative Development of Johann Sebastian Bach, Volume II: 1717-1750 : Music to Delight the Spirit
Richard D. P. (Music writer and editor) Jones
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New Essays on Musical Understanding
Peter (, Professor of Philosophy, Rutgers University, New Jersey Kivy
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