The The Older Liszt : Music, World and Spirit
Peter Coleman
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Building Community Choirs in the Twenty-First Century : Re-imagining Identity through Singing in Northern Ireland
Sarah Jane Gibson
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Wagner: The Complete Experience : And Its Meaning to Us
Paul Dawson-Bowling
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Said on Opera
Edward (c/o The Wylie Agency) Said
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The Player Piano and Musical Labor : The Ghost in the Machine
Allison Rebecca Wente
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The Symphony in Australia, 1960-2020
Rhoderick McNeill
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Music and Performance in the Book of Hours
Michael Alan Anderson
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The Mediations of Music : Critical Approaches after Adorno
Gianmario Borio
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War and Death in the Music of George Crumb : A Crisis of Collective Memory
Abigail Shupe
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Return to Riemann : Tonal Function and Chromatic Music
J. P. E. Harper-Scott
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Arabesque without End : Across Music and the Arts, from Faust to Shahrazad
Anne Leonard
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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Opera Outside the Box : Notions of Opera in Nineteenth-Century Britain
Roberta Montemorra (University of Massachusetts, USA) Marvin
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The Roman Sacred Music of Alessandro Scarlatti
Luca Della Libera
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Composing for Silent Film
Jack Curtis Dubowsky
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Theological Anthropology in Mozart’s La clemenza di Tito : Sin, Grace, and Conversion
Steffen Losel
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Material Cultures of Music Notation : New Perspectives on Musical Inscription
Floris (Utrecht University, The Netherlands) Schuiling
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The Politicized Concert Mass (1967-2007) : From Secularism to Pluralism
Stephanie Rocke
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Isaac Vossius's De poematum cantu et viribus rhythmi, 1673 : On the Music of Poetry and Power of Rhythm
Peter Martens
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Noise as a Constructive Element in Music : Theoretical and Music-Analytical Perspectives
Mark Delaere
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Women in Rock, Women in Romanticism
James Rovira
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Topics in Musical Interpretation
Sezi (Bucknell University, USA) Seskir
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Exposing the Chasms in Voice Pedagogy : Playing the Field
Dale Cox
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Britten Experienced : Modernism, Musicology and Sentiment
Peter Franklin
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