Composing for Silent Film
Jack Curtis Dubowsky
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Women in Nineteenth-Century Czech Musical Culture : Apostles of a Brighter Future
Anja Bunzel
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Decolonising and Indigenising Music Education : First Peoples Leading Research and Practice
Te Oti Rakena
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History as Fantasy in Music, Sound, Image, and Media
James (Edinburgh University) Cook
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Perspectives on Conducting
Roisin Blunnie
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Perspectives on Conducting
Roisin Blunnie
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Isaac Vossius's De poematum cantu et viribus rhythmi, 1673 : On the Music of Poetry and Power of Rhythm
Peter Martens
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Noise as a Constructive Element in Music : Theoretical and Music-Analytical Perspectives
Mark Delaere
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Women in Rock, Women in Romanticism
James Rovira
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John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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Topics in Musical Interpretation
Sezi (Bucknell University, USA) Seskir
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Resurrecting Song : A Pathway Forward for the Choral Art in the Time of Pandemics
Wendy K. Moy
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Resurrecting Song : A Pathway Forward for the Choral Art in the Time of Pandemics
Wendy K. Moy
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Exposing the Chasms in Voice Pedagogy : Playing the Field
Dale Cox
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Tradition, Community, and Nationhood in Richard Wagner’s 'Die Meistersinger von Nurnberg'
Christopher Kimbell
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The Technique of Orchestration - Textbook and Workbook Set
Kent Kennan
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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International Who's Who in Classical Music 2024
Europa Publications
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Britten Experienced : Modernism, Musicology and Sentiment
Peter Franklin
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The International Who's Who in Classical/Popular Music Set 2024
Europa Publications
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Debussy in Context
Simon (Trinity College Dublin) Trezise
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Vaughan Williams in Context
Julian (West Chester University, Pennsylvania) Onderdonk
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