Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Britten Experienced : Modernism, Musicology and Sentiment
Peter Franklin
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The International Who's Who in Classical/Popular Music Set 2024
Europa Publications
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Debussy in Context
Simon (Trinity College Dublin) Trezise
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Vaughan Williams in Context
Julian (West Chester University, Pennsylvania) Onderdonk
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Italian Opera in Global and Transnational Perspective : Reimagining Italianita in the Long Nineteenth Century
Axel (University College London) Korner
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Leonard Bernstein in Context
Elizabeth A. (Mount Allison University, Canada) Wells
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Wagner in Context
David (University of Cambridge) Trippett
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Bob Dylan on Film : The Intersection of Music and Visuals
Jonathan Hodgers
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Liyuanxi - Chinese 'Pear Garden Theatre'
Josh (University of Sydney, Australia) Stenberg
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Autobiographical Recollections of Charles-Marie Widor
John R (Royalty Account) Near
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Narrative and Robert Schumann’s Songs : A New Approach to the Romantic Lied
Dr. Andrew H. (Contributor) Weaver
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The Musical Relationship between Claude Debussy and Igor Stravinsky
Professor Mark McFarland
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The Sound of Difference : Race, Class and the Politics of 'Diversity' in Classical Music
Kristina Kolbe
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Historical Dictionary of Romantic Music
John Michael Cooper
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Growing Your Choral Program : A Practical Guide for New Directors
Nicolas Alberto Dosman
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Growing Your Choral Program : A Practical Guide for New Directors
Nicolas Alberto Dosman
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A Cappella Arranging 2.0 : The Next Level
Deke Sharon
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A Cappella Arranging 2.0 : The Next Level
Deke Sharon
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Eight Symphonic Masterworks of the Twentieth Century : A Study Guide for Conductors
Leonard Slatkin
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Eight Symphonic Masterworks of the Twentieth Century : A Study Guide for Conductors
Leonard Slatkin
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Tales from the Symphony : Perspectives from African American Musicians
Robert Lee Watt
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Tales from the Symphony : Perspectives from African American Musicians
Robert Lee Watt
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