The Score, the Orchestra, and the Conductor
Gustav (Director of the Graduate Conducting Program at the Peab Meier
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Add to BasketTogether in Music : Coordination, expression, participation
Renee Timmers
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Orchestra Management : Models and Repertoires for the Symphony Orchestra
Arne Herman
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Form and Method: Composing Music : The Rothschild Essays
Roger Reynolds
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Harmonic Development and Contrapuntal Techniques for the Jazz Pianist : An Imaginative Approach
Gary Motley
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Harmonic Development and Contrapuntal Techniques for the Jazz Pianist : An Imaginative Approach
Gary Motley
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John Zorn's File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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John Zorn's File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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Harmonic Development and Contrapuntal Techniques for the Jazz Pianist : An Imaginative Approach
Gary Motley
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Add to BasketOpening Doors: Orchestras, Opera Companies and Community Engagement
Emily Dollman
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Opening Doors: Orchestras, Opera Companies and Community Engagement
Emily Dollman
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The Routledge Companion to Teaching Music Composition in Schools : International Perspectives
Kirsty Devaney
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The Routledge Companion to Teaching Music Composition in Schools : International Perspectives
Kirsty Devaney
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Baton Basics : Communicating Music through Gesture
Diane (Music Director, Music Director, Allentown Symphony Orch Wittry
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Add to BasketSound in the Ecstatic-Materialist Perspective on Experimental Music
Riccardo D. Wanke
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Sound in the Ecstatic-Materialist Perspective on Experimental Music
Riccardo D. Wanke
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Xenakis Creates in Architecture and Music : The Reynolds Desert House
Roger Reynolds
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Xenakis Creates in Architecture and Music : The Reynolds Desert House
Roger Reynolds
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Modes of Communication in Stravinsky's Works : Sign and Expression
Per Dahl
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Modes of Communication in Stravinsky's Works : Sign and Expression
Per Dahl
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Choral Monuments : Studies of Eleven Choral Masterworks
Dennis Shrock
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