The Mediations of Music : Critical Approaches after Adorno
Gianmario Borio
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Classical and Romantic Performing Practice
Clive (Emeritus Professor of Applied Musicology, Emeritus Profe Brown
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Cool. Jazz als Gegenkultur im westlichen Nachkriegsdeutschland
Stephan Braese
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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Chinese Emigre Composers and Divergent Modernisms : Chen Yi and Zhou Long
Mia (Curtis Institute of Music) Chung
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Background Music Cultures in Finnish Urban Life
Heikki (University of Eastern Finland) Uimonen
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Return to Riemann : Tonal Function and Chromatic Music
J. P. E. Harper-Scott
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Orchestra Management : Models and Repertoires for the Symphony Orchestra
Arne Herman
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Modular Synthesis : Patching Machines and People
Ezra J. Teboul
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Opera Outside the Box : Notions of Opera in Nineteenth-Century Britain
Roberta Montemorra (University of Massachusetts, USA) Marvin
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Composing for Silent Film
Jack Curtis Dubowsky
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Remaking Culture and Music Spaces : Affects, Infrastructures, Futures
Ian (Syddansk Universitet, Denmark) Woodward
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David Lynch : Sonic Style
Reba Wissner
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Archaic Instruments in Modern West Java: Bamboo Murmurs
Henry Spiller
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Isaac Vossius's De poematum cantu et viribus rhythmi, 1673 : On the Music of Poetry and Power of Rhythm
Peter Martens
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Noise as a Constructive Element in Music : Theoretical and Music-Analytical Perspectives
Mark Delaere
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Women in Rock, Women in Romanticism
James Rovira
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Woodstock University
Oliver (University of British Columbia, Canada) Lovesey
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The Routledge Handbook of Pink Floyd
Chris Hart
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