Utpal Dutt and Political Theatre in Postcolonial India
Mallarika Sinha Roy
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Decolonising African Theatre
Samuel (University of the Witwatersrand, Johannesburg) Ravengai
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Add to BasketA Performance History of The Fair Penitent
Elaine (University of Bristol) McGirr
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David (University of York) Barnett
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Add to BasketTheatricality, Playtexts and Society
David (University of York) Barnett
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Shakespeare in the Present : Political Lessons under Biden
Philip Goldfarb Styrt
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Add to BasketEmotionality : Heterosexual Love and Emotional Development in Popular Romance
Eirini Arvanitaki
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Emotionality : Heterosexual Love and Emotional Development in Popular Romance
Eirini Arvanitaki
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Approaching the Interval in the Early Modern Theatre : The Significance of the 'Act-Time'
Mark Hutchings
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Disavowing Authority in the Shakespeare Classroom
Huw (University of Sydney) Griffiths
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Add to BasketApproaching the Interval in the Early Modern Theatre : The Significance of the 'Act-Time'
Mark (Universidad de Salamanca, Spain) Hutchings
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Add to BasketShakespeare and Lecoq : A Practical Guide for Actors, Directors, Students and Teachers
Ed Woodall
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Add to BasketShakespeare and Lecoq : A Practical Guide for Actors, Directors, Students and Teachers
Ed Woodall
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Shakespeare and Lecoq : A Practical Guide for Actors, Directors, Students and Teachers
Ed Woodall
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Peggy Webling and the Story behind Frankenstein : The Making of a Hollywood Monster
Webling Peggy Webling
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Peggy Webling and the Story behind Frankenstein : The Making of a Hollywood Monster
Webling Peggy Webling
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Jocelyn Bioh: Three Plays : Merry Wives; Nollywood Dreams; School Girls, Or, The African Mean Girls Play
Jocelyn Bioh
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Jocelyn Bioh: Three Plays : Merry Wives; Nollywood Dreams; School Girls, Or, The African Mean Girls Play
Jocelyn Bioh
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In Everglade Studio
Nathaniel Brimmer-Beller
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