Polychrome Art in the Early Modern World : 1200–1800
Ilenia (University of Central Florida, USA) Colon Mendoza
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Art, Patronage, and Nepotism in Early Modern Rome
Karen J. Lloyd
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Santi Gucci Fiorentino, Artist and Entrepreneur in Early Modern Poland
Olga Maria Hajduk
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Writing Fashion in Early Modern Italy : From Sprezzatura to Satire
Eugenia Paulicelli
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Federico Barocci : Inspiration and Innovation in Early Modern Italy
Judith W. Mann
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Portraiture, Gender, and Power in Sixteenth-Century Art : Creating and Promoting the Public Image of Early Modern Women
Noelia (University of Murcia, Spain) Garcia Perez
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Inganno - The Art of Deception : Imitation, Reception, and Deceit in Early Modern Art
Sharon Gregory
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The Spiritual Rococo : Decor and Divinity from the Salons of Paris to the Missions of Patagonia
Gauvin Alexander Bailey
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Art and Reform in the Late Renaissance : After Trent
Jesse M. (Portland State University) Locker
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Caravaggio : Reflections and Refractions
Lorenzo Pericolo
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Rethinking the High Renaissance : The Culture of the Visual Arts in Early Sixteenth-Century Rome
Jill Burke
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Vasari and the Renaissance Print
Sharon Gregory
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Visual Culture and Mathematics in the Early Modern Period
Ingrid Alexander-Skipnes
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Writing Fashion in Early Modern Italy : From Sprezzatura to Satire
Eugenia Paulicelli
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The Ethics of Ornament in Early Modern Naples : Fashioning the Certosa di San Martino
J. Nicholas Napoli
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Imaging Stuart Family Politics : Dynastic Crisis and Continuity
Catriona Murray
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Faith, Gender and the Senses in Italian Renaissance and Baroque Art : Interpreting the Noli me tangere and Doubting Thomas
Erin E. Benay
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Thresholds and Boundaries : Liminality in Netherlandish Art (1385-1530)
Lynn F. Jacobs
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The Realism of Piero della Francesca
Joost Keizer
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Knowledge and Discernment in the Early Modern Arts
Sven Dupre
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Early Modern Merchants as Collectors
Christina M. Anderson
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The 'Small Landscape' Prints in Early Modern Netherlands
Alexandra Onuf
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Early Modern Merchants as Collectors
Christina M. Anderson
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Visual Culture and Mathematics in the Early Modern Period
Ingrid Alexander-Skipnes
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