The Original Portrayal of Mozart’s Don Giovanni
Magnus Tessing Schneider
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Genre Beyond Borders : Reassessing Operetta
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The Operatic Archive : American Opera as History
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Claudio Monteverdi’s Venetian Operas : Sources, Performance, Interpretation
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The Original Portrayal of Mozart’s Don Giovanni
Magnus Tessing Schneider
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Curating Opera : Reinventing the Past Through Museums of Opera and Art
Stephen Mould
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Contextualizing Melodrama in the Czech Lands : In Concert and on Stage
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Digital Scenography in Opera in the Twenty-First Century
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Musical Theatre, Realism and Entertainment
Millie Taylor
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Opera as Soundtrack
Jeongwon Joe
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Modernism and the Cult of Mountains: Music, Opera, Cinema
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Opera Indigene: Re/presenting First Nations and Indigenous Cultures
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Puccini’s La fanciulla del West and American Musical Identity
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Grand Opera Outside Paris : Opera on the Move in Nineteenth-Century Europe
Jens (University of Copenhagen, Denmark) Hesselager
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Opera Outside the Box : Notions of Opera in Nineteenth-Century Britain
Roberta Montemorra (University of Massachusetts, USA) Marvin
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The Original Portrayal of Mozart’s Don Giovanni
Magnus Tessing Schneider
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English Dramatick Opera, 1661–1706
Andrew R. Walkling
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Melodramatic Voices: Understanding Music Drama
Sarah Hibberd
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Readying Cavalli's Operas for the Stage : Manuscript, Edition, Production
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Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples
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Performing Homer: The Voyage of Ulysses from Epic to Opera
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Performing Salome, Revealing Stories
Clair Rowden
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Musicality in Theatre : Music as Model, Method and Metaphor in Theatre-Making
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The Business of Opera
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