German Opera : From the Beginnings to Wagner
John (University of Oxford) Warrack
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Johann Strauss and Vienna : Operetta and the Politics of Popular Culture
Camille (San Francisco Opera) Crittenden
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Dance and Drama in French Baroque Opera : A History
Rebecca (Cornell University, New York) Harris-Warrick
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Rounding Wagner's Mountain : Richard Strauss and Modern German Opera
Bryan (Duke University, North Carolina) Gilliam
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Opera and Drama in Eighteenth-Century London : The King's Theatre, Garrick and the Business of Performance
Ian (Queen's University Belfast) Woodfield
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Saint-Saens and the Stage : Operas, Plays, Pageants, a Ballet and a Film
Hugh (Washington University, St Louis) Macdonald
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Foreign Opera at the London Playhouses : From Mozart to Bellini
Christina (Ashland University, Ohio) Fuhrmann
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The Rival Sirens : Performance and Identity on Handel's Operatic Stage
Suzanne (University of Oxford) Aspden
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Verdi, Opera, Women
Susan (University of Manchester) Rutherford
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Opera and Modern Spectatorship in Late Nineteenth-Century Italy
Alessandra (Tufts University, Massachusetts) Campana
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Female Singers on the French Stage, 1830-1848
Kimberly (Universite de Montreal) White
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Opera in Postwar Venice : Cultural Politics and the Avant-Garde
Harriet (University of Nottingham) Boyd-Bennett
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Opera in the Novel from Balzac to Proust
Cormac (University of Ulster) Newark
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Technology and the Diva : Sopranos, Opera, and Media from Romanticism to the Digital Age
Karen (City University of New York) Henson
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Situating Opera : Period, Genre, Reception
Herbert (Stanford University, California) Lindenberger
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Wagner's Ring Cycle and the Greeks
Daniel H. (Duke University, North Carolina) Foster
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Opera Buffa in Mozart's Vienna
Mary (Bowdoin College, Maine) Hunter
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Sentimental Opera : Questions of Genre in the Age of Bourgeois Drama
Stefano (University of Cambridge) Castelvecchi
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Opera, Liberalism, and Antisemitism in Nineteenth-Century France : The Politics of Halevy's La Juive
Diana R. (University of Kentucky) Hallman
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Aesthetics of Opera in the Ancien Regime, 1647-1785
Downing A. (University of Iowa) Thomas
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Landscape and Gender in Italian Opera : The Alpine Virgin from Bellini to Puccini
Emanuele (University of Oxford) Senici
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Three Modes of Perception in Mozart : The Philosophical, Pastoral, and Comic in Cosi fan tutte
Edmund J. (University of Notre Dame, Indiana) Goehring
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The Prima Donna and Opera, 1815-1930
Susan (University of Manchester) Rutherford
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Opera and Society in Italy and France from Monteverdi to Bourdieu
Victoria (University of Michigan, Ann Arbor) Johnson
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