Return to Riemann : Tonal Function and Chromatic Music
J. P. E. Harper-Scott
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Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's ‘Comus’
Colin (University of Birmingham, UK) Timms
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Gregorio Ballabene’s Forty-eight-part Mass for Twelve Choirs (1772)
Florian Bassani
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Authorship and Identity in Late Thirteenth-Century Motets
Catherine A. Bradley
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Playing on Words : A Guide to Luciano Berio's Sinfonia
David Osmond-Smith
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The Breath of the Symphonist : Shostakovich's Tenth
David Fanning
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Szymanowski, Eroticism and the Voices of Mythology
Stephen Downes
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Towards a Harmonic Grammar of Grieg's Late Piano Music : Nature and Nationalism
Benedict Taylor
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The Politics of Plainchant in fin-de-siecle France
Katharine Ellis
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Disinformation in Mass Media : Gluck, Piccinni and the Journal de Paris
Beverly Jerold
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Disinformation in Mass Media : Gluck, Piccinni and the Journal de Paris
Beverly Jerold
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Upper-Voice Structures and Compositional Process in the Ars Nova Motet
Anna Zayaruznaya
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The Cyclic Mass : Anglo-Continental Exchange in the Fifteenth Century
James Cook
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Johann Mattheson’s Pieces de clavecin and Das neu-eroffnete Orchestre : Mattheson’s Universal Style in Theory and Practice
Margaret Seares
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The Politics of Verdi's Cantica
Roberta Montemorra Marvin
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Music Theory in Late Medieval Avignon : Magister Johannes Pipardi
Karen M. Cook
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Music Theory in Late Medieval Avignon : Magister Johannes Pipardi
Karen M. Cook
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The Pre-history of ‘The Midsummer Marriage’ : Narratives and Speculations
Roger Savage
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Towards a Harmonic Grammar of Grieg's Late Piano Music : Nature and Nationalism
Benedict Taylor
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The Genesis and Development of an English Organ Sonata
Iain Quinn
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The Regulation and Reform of Music Criticism in Nineteenth-Century England
Paul Watt
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The Pre-history of ‘The Midsummer Marriage’ : Narratives and Speculations
Roger Savage
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Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London
Cheryll Duncan
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The Genesis and Development of an English Organ Sonata
Iain Quinn
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