Glitch Art in Theory and Practice : Critical Failures and Post-Digital Aesthetics
Michael Betancourt
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Glitch Art in Theory and Practice : Critical Failures and Post-Digital Aesthetics
Michael Betancourt
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The Worst We Can Find : MST3K, RiffTrax, and the History of Heckling at the Movies
Dale Sherman
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Worst We Can Find : MST3K, RiffTrax, and the History of Heckling at the Movies
Dale Sherman
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Quentin Tarantino FAQ : Everything Left to Know About the Original Reservoir Dog
Dale Sherman
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Four Scores and Seven Reels Ago : The U.S. Presidency through Hollywood Films
Dale Sherman
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Typography and Motion Graphics: The 'Reading-Image'
Michael Betancourt
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Typography and Motion Graphics: The 'Reading-Image'
Michael Betancourt
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Armageddon Films FAQ : All That's Left to Know About Zombies, Contagions, Aliens and the End of the World as We Know It!
Dale Sherman
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John Waters FAQ : All That's Left to Know About the Provocateur of Bad Taste
Dale Sherman
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Four Scores and Seven Reels Ago : The U.S. Presidency through Hollywood Films
Dale Sherman
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Format: eBook (EPUB)
Quentin Tarantino FAQ : Everything Left to Know About the Original Reservoir Dog
Dale Sherman
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MASH FAQ : Everything Left to Know About the Best Care Anywhere
Dale Sherman
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John Waters FAQ : All That's Left to Know About the Provocateur of Bad Taste
Dale Sherman
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Synchronization and Title Sequences : Audio-Visual Semiosis in Motion Graphics
Michael Betancourt
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Synchronization and Title Sequences : Audio-Visual Semiosis in Motion Graphics
Michael Betancourt
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Semiotics and Title Sequences : Text-Image Composites in Motion Graphics
Michael Betancourt
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Semiotics and Title Sequences : Text-Image Composites in Motion Graphics
Michael Betancourt
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MASH FAQ : Everything Left to Know About the Best Care Anywhere
Dale Sherman
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Mel Brooks FAQ : All That's Left to Know About the Outrageous Genius of Comedy
Dale Sherman
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