The Shape of Spectatorship : Art, Science, and Early Cinema in Germany
Scott Curtis
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Counter-Archive : Film, the Everyday, and Albert Kahn's Archives de la Planete
Paula Amad
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Hitchcock's Romantic Irony
Richard Allen
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China on Screen : Cinema and Nation
Christopher (Associate Professor of Film Studies, Goldsmiths Co Berry
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The New European Cinema : Redrawing the Map
Rosalind (Senior Lecturer in Film Studies, University of Sussex) Galt
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Film, a Sound Art
Michel Chion
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The Impossible David Lynch
Todd (University of Vermont) McGowan
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Eye of the Century : Film, Experience, Modernity
Francesco (Universita Cattolica del Sacro Cuore) Casetti
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Intelligence Work : The Politics of American Documentary
Jonathan Kahana
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Film Studies : An Introduction
Ed Sikov
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Indie : An American Film Culture
Michael Z. Newman
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African Film and Literature : Adapting Violence to the Screen
Lindiwe Dovey
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Levinas and the Cinema of Redemption : Time, Ethics, and the Feminine
Sam B. Girgus
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Hollywood Lighting from the Silent Era to Film Noir
Patrick (Assistant Professor, Trinity University) Keating
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Film and Stereotype : A Challenge for Cinema and Theory
Jorg Schweinitz
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Pretty : Film and the Decorative Image
Rosalind Galt
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Electric Dreamland : Amusement Parks, Movies, and American Modernity
Lauren Rabinovitz
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Chinese Women’s Cinema : Transnational Contexts
Lingzhen Wang
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Hideous Progeny : Disability, Eugenics, and Classic Horror Cinema
Angela M. Smith
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American Showman : Samuel "Roxy" Rothafel and the Birth of the Entertainment Industry, 1908–1935
Ross Melnick
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Cinematic Appeals : The Experience of New Movie Technologies
Ariel Rogers
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The Utopia of Film : Cinema and Its Futures in Godard, Kluge, and Tahimik
Christopher (Assistant Professor of Film, Simon Fraser Univers Pavsek
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Carceral Fantasies : Cinema and Prison in Early Twentieth-Century America
Alison Griffiths
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Where Film Meets Philosophy : Godard, Resnais, and Experiments in Cinematic Thinking
Hunter Vaughan
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