Melodrama, Self and Nation in Post-War British Popular Film
Johanna Laitila
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Crossover Cinema : Cross-Cultural Film from Production to Reception
Sukhmani Khorana
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Crossover Cinema : Cross-Cultural Film from Production to Reception
Sukhmani Khorana
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Re-reading the Monstrous-Feminine : Art, Film, Feminism and Psychoanalysis
Nicholas Chare
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Re-reading the Monstrous-Feminine : Art, Film, Feminism and Psychoanalysis
Nicholas Chare
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Hollywood Remembrance and American War
Andrew Rayment
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Film Noir and Los Angeles : Urban History and the Dark Imaginary
Sean W. Maher
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Indian Cinema Beyond Bollywood : The New Independent Cinema Revolution
Ashvin Immanuel (Queen Mary University of London, UK) Devasundaram
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Emotion in Animated Films
Meike Uhrig
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Melodrama, Self and Nation in Post-War British Popular Film
Johanna Laitila
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Collective Trauma and the Psychology of Secrets in Transnational Film
Deborah Lynn Porter
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Affect and Embodied Meaning in Animation : Becoming-Animated
Sylvie Bissonnette
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Found Footage Horror Films : A Cognitive Approach
Peter (Oxford Brookes University, UK) Turner
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New Approaches to Cinematic Space
Filipa Rosario
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Post-Production and the Invisible Revolution of Filmmaking : From the Silent Era to Synchronized Sound
George Larkin
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Melancholy Emotion in Contemporary Cinema : A Spinozian Analysis of Film Experience
Francesco Sticchi
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Popular Film Music and Masculinity in Action : A Different Tune
Amanda Howell
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Film Text Analysis : New Perspectives on the Analysis of Filmic Meaning
Janina Wildfeuer
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The Camera-Eye Metaphor in Cinema
Christian Quendler
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Early Race Filmmaking in America
Barbara (The Norman Rockwell Museum, USA) Lupack
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US Youth Films and Popular Music : Identity, Genre, and Musical Agency
Tim McNelis
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Surveillance in Asian Cinema : Under Eastern Eyes
Karen Fang
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