Cinematic Overtures : How to Read Opening Scenes
Annette Insdorf
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J. Edgar Hoover Goes to the Movies : The FBI and the Origins of Hollywood's Cold War
John Sbardellati
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Dreamlands : Immersive Cinema and Art, 1905-2016
Chrissie Iles
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Hollywood Highbrow : From Entertainment to Art
Shyon Baumann
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Kubrick's 2001 : A Triple Allegory
Leonard F. Wheat
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Scorsese Up Close : A Study of the Films
Ben Nyce
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Nightmare Alley : Film Noir and the American Dream
Mark (Loyola University Maryland) Osteen
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Buccaneer : James Stuart Blackton and the Birth of American Movies
Donald Dewey
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Deconstruction, Feminism, Film
Sarah Dillon
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The National Imaginarium : A History of Egyptian Filmmaking
Magdy Mounir El-Shammaa
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Aesthetic Violence and Women in Film : Kill Bill with Flying Daggers
Joseph (Iowa State University, USA) Kupfer
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Against the Avant-Garde : Pier Paolo Pasolini, Contemporary Art, and Neocapitalism
Ara H Merjian
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Lasting Impressions : The Legacies of Impressionism in Contemporary Culture
Jesse Matz
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Foucault at the Movies
Patrice Maniglier
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The Camera Lies : Acting for Hitchcock
Dan (Freelance Writer, Freelance Writer) Callahan
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Before the Movies : American Magic Lantern Entertainment and the Nation's First Great Screen Artist, Joseph Boggs Beale
Terry Borton
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Powers of the Real : Cinema, Gender, and Emotion in Interwar Japan
Diane Wei Lewis
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Amar Akbar Anthony : Bollywood, Brotherhood, and the Nation
William Elison
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People Like Ourselves : Portrayals of Mental Illness in the Movies
Jacqueline Noll Zimmerman
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Making Movies with Orson Welles : A Memoir
Gary Graver
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Title Sequences as Paratexts : Narrative Anticipation and Recapitulation
Michael (Savannah College of Art and Design, USA) Betancourt
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When Stories Travel : Cross-Cultural Encounters between Fiction and Film
Cristina (University of California at San Diego) Della Coletta
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Empire Films and the Crisis of Colonialism, 1946-1959
Jon (Associate Professor of History, Rutgers - The State Unive Cowans
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The Seventies : The Decade That Changed American Film Forever
Vincent LoBrutto
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