Aesthetic Technologies of Modernity, Subjectivity, and Nature : Opera, Orchestra, Phonograph, Film
Richard Leppert
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Fruits of the Cross : Passiontide Music Theater in Habsburg Vienna
Robert L. Kendrick
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The Cambridge Mozart Encyclopedia
Cliff (King's College London) Eisen
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Johann Strauss and Vienna : Operetta and the Politics of Popular Culture
Camille (San Francisco Opera) Crittenden
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Handel on the Stage
David (University of Edinburgh) Kimbell
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Operetta : A Theatrical History
Richard Traubner
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Dramma per Musica : Italian Opera Seria of the Eighteenth Century
Reinhard Strohm
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Italian Opera Houses and Festivals
Karyl Charna Lynn
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Experiencing Verdi : A Listener's Companion
Donald Sanders
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The Opera Manual
Nicholas Ivor Martin
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Beyond Britten: The Composer and the Community
Peter (Royalty Account) Wiegold
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Bizet's Carmen Uncovered
Richard Langham Smith
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The Real Tales of Hoffmann : Origin, History, and Restoration of an Operatic Masterpiece
Vincent Giroud
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Alto : The Voice of Bel Canto
Dan H. Marek
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Arthur Sullivan : A Musical Reappraisal
Benedict Taylor
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Women Writing Opera : Creativity and Controversy in the Age of the French Revolution
Jacqueline Letzter
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Monteverdi's Last Operas: A Venetian Trilogy
Ellen Rosand
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Opera in Seventeenth-Century Venice : The Creation of a Genre
Ellen Rosand
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Wagner, Schumann, and the Lessons of Beethoven's Ninth
Christopher Alan Reynolds
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Dreaming with Open Eyes : Opera, Aesthetics, and Perception in Arcadian Rome
Ayana O. Smith
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The Lyric Myth of Voice : Civilizing Song in Enlightenment Italy
Jessica Gabriel Peritz
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Rounding Wagner's Mountain : Richard Strauss and Modern German Opera
Bryan (Duke University, North Carolina) Gilliam
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Opera and Drama in Eighteenth-Century London : The King's Theatre, Garrick and the Business of Performance
Ian (Queen's University Belfast) Woodfield
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The Cambridge Mozart Encyclopedia
Cliff (King's College London) Eisen
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